I know precisely the quality of my work. I know that it is not very good but not very bad either, perhaps it is good, or good to medium, but at any rate it is incomparably better than most of what is produced today. But why should anybody in this country be interested in what I write? Or why should anybody anywhere be interested, for that matter?
—Gabriel Josipovici, Moo Pak, p. 62.
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